It’s Time to Bring Your Play to Life!

Two actors on stage performing a scene from a play titled "POWERHOUSE" by David Harms. In the background, a "Playbill" cover for the show is displayed, featuring an illustration of a woman in a dramatic pose with a cityscape, card, and moon. The setting appears to be an indoor stage with city buildings visible through windows.

Jennifer Pierro and Laura Shoop

“The best acting accolade goes to Jennifer Pierro as the HR psychologist second banana.” -Mari S. Gold, T and B On The Aisle

DARRYL REILLY OF THEATRESCENE.ORG

“Wiry and jittery Jennifer Pierro has several hilarious bits as the scheming company psychologist.”

“Director Ken Wolf’s sharp staging realizes the play’s comedic and dramatic momentum through zesty straightforwardness, visual élan and his cast’s strong performances.”

“With its five characters and one set, Powerhouse is in the tradtion of well-made plays.”

Two women standing on a stage with a cityscape backdrop, one in a maroon outfit and the other in a gray plaid suit.

"Under the guidance of Artistic Director Ken Wolf, Manhattan Repertory Theatre's innovative program whereby they fully produce your play is a godsend to every playwright. Take it from someone who has used the service.

One of my manuscripts was languishing in my desk drawer destined never to become a “play.” Ken Wolf took my manuscript and brought it to life. I was impressed with his attention to detail. And to think that this can be done for a play submitted from any where in the world.

I strongly recommend that any playwright whose work is gathering dust in their “never to be seen” file, to do yourself a favor and experience the joy of seeing your play produced.”

Albert Repicci - Playwright - “The Promise”

Here's a play that crackles for each of its 90 minutes, certainly enhanced by tension-filled direction by Ken Wolf.”

-Peter Filichia, Broadway Radio -

Two people in formal attire on a modern set stage, with office chairs and a cityscape backdrop.

"Powerhouse succeeds on so many levels... The solid writing, direction and performances make for a very satisfying night out at the theater."

Tony Marinelli - theaterscene.net

Person in vibrant shirt stands with outstretched arms as papers are thrown around them, while three people watch from behind. The setting resembles a modern office with a cityscape view.

“The best acting accolade goes to Jennifer Pierro as the HR psychologist second banana” - Mari S. Gold, T and B On The Aisle

Banner for "Manhattan Rep’s Ground-Breaking Play Production Program" with a theater mask icon, offering self-production services globally.

Since 2017, we have produced over 80 plays from Playwrights, Actors and Producers from around the world!

We are now accepting Full-Length plays and Musicals 60 to 150 minutes for production in Spring 2026 through 2027!

Production costs for a full-length play range from $25,000 to $200,000 +, depending on the "size" of your production, scenic elements, and the number of performances.

EQUITY and NON-UNION.

We will completely manage your production and bring your play to stunning life in NYC or anywhere in the world!

If you are serious about producing your play in New York City, or anywhere in the world, please fill out the application form below:

Poster for "Powerhouse," a new play by David Harms presented by Manhattan Repertory Theatre. It features an illustration of the Statue of Liberty with a determined expression holding a torch and flag, set against a city skyline and a moon. The text includes credits for the director Ken Wolf, lead actor Laura Shoop, and other cast and crew members. The tagline reads "A woman shall rise..." along with venue and website information at the bottom.

RAWSHOCK by Rita Lewis is on THEATERSCENE.ORG’s

A 2024 10 Best List

by Darryl Reilly

(shared with Off-Broadway and Broadway Plays)

A promotional poster for 'Rawshock' by Rita Lewis, presented by Manhattan Repertory Theatre. The poster features an inkblot design in the center with the title in bold letters. In the background, five people are seated with their backs facing the viewer against a vibrant pink and red backdrop. The tagline reads, 'What happens to the Group when the system fails?"
Television set with modern decor, blue and red cityscape backdrop, chairs, a table, sofa, and a desk with a laptop.

The Amazing Powerhouse set by Jack C. Golden

Two actors perform on stage; one is dressed in a pig costume with ears and black nose, gesturing dramatically, and the other sits on a box, observing.

Anthony J. Ribustello & Ken Wolf in Conversations With Dog by Ken Wolf

Two people in a modern office setting with a cityscape view, wearing professional attire, engaging in conversation.


George Bennett Watson & Laura Shoop in Powerhouse by David Harms

The image shows two women standing on a stage set designed to look like an office or lounge area, with large windows displaying a cityscape. One woman is wearing a bright pink dress, and the other is in a light pink blouse holding some papers. There are two modern chairs and a small table between them, creating the setting for a conversation or interview.

Jennifer Pierro and Kate Levy in Powerhouse by David Harms

Self-Produce your Best Play in NYC or Anywhere in the World!

We are now accepting applications for our Ground-breaking Play Production Program!

Please fill out the application form below, and we will get back soon!

THE REVIEWS ARE IN!

Theater poster for "Rawshock" by Rita Lewis, presented by Manhattan Repertory Theatre. Features a Rorschach inkblot image and silhouettes of people sitting on chairs against a pink background. Includes cast and crew details and ticket information.

DARRYL REILLY OF THEATERSCENE. ORG:

“exquisite command of dramatic writing”

“exhilarating physical staging”

“Dressed all in black with flowing black hair, the thin, animated and alluring Jennifer Pierro is haunting as a disturbed artist off her meds; she is riveting enacting several harrowing breakdowns.”

Chelsea Clark conveys tremendous pathos as a troubled young woman on the verge of a new start in life!”

“The authoritative, yet approachable Camber Carpenter is serene as the heroic therapist.”

Nathan Cusson is ferocious as a combative hothead patient.”

Christian Libonati beautifully combines intensity and weariness as a forlorn substance addicted male prostitute.”

“Each actor offers and sustains fearless characterizations”

"Rawshock intelligently explores its painful subject matter through blazing theatricality."

DEB MILLER OF DCTHEATERARTS. ORG:

“Rawshock is an important example of theater in the service of society”

"explosive segments of psychological and emotional breakdowns"

SCOTTY BENNETT OF THEATERSCENE. NET PROCLAIMED:

“It is beautifully written by Rita Lewis and superbly directed by Ken Wolf.”

"The ensemble that plays the patients is outstanding. They fully embody their characters and give several emotionally compelling performances."

"Jennifer Pierro is so in tune with the character that watching her feels like eavesdropping on a real patient."

"Chelsea Clark gives a beautifully integrated performance of Tina, fully realizing the moments of anxiety and calm."

"Nathan Cusson is solid in his characterization of Alex, a young man who is an outpatient and has an explosive temper."

"Theresa Della Valle's performance adds to the powerhouse that this ensemble represents. She is totally believable as the grandmotherly member of the group. From the moment she enters the stage and speaks her first lines, there is no doubt that it is not an actor playing a role but a real person."

"Christian Libonati gives an emotionally powerful, heart-breaking tour de force performance, the impact of which is not fully realized until the end of the play."

A group of six people sitting in a row on chairs, likely on stage. They appear to be participating in a discussion or therapy session. The setting is simple, with a plain backdrop, and some individuals wear casual attire while others wear medical scrubs.

Jennifer Pierro, Chelsea Clark, Nathan Cusson, Theresa Della Valle, Christian Libonati, and Camber Carpenter

Group of actors perform a dramatic scene on stage with a backdrop of curtains. One actor kneels while others stand around, showing concern.

Christian Libonati, Jennifer Pierro, Camber Carpenter, Nathan Cusson, Theresa Della Valle, and Chelsea Clark

Group of people on stage during a dramatic performance, one wearing red headphones, with others in expressive poses.

Jennifer Pierro, Christian Libonati, Nathan Cusson, and Theresa Della Valle

Two women engaged in conversation, one wearing a Beatles t-shirt and headphones around her neck, standing by a desk, and the other wearing a cream knit beanie and beige hoodie, arms crossed.

Jennifer Pierro and Chelsea Clark

A group of people seated in a semi-circle on stage, possibly part of a theatrical performance or discussion. One person is standing, wearing scrubs, while the others are dressed casually. There is a curtain backdrop.

Christian Libonati, Jennifer Pierro, Dave Siberger, Nathan Cusson, Theresa Della Valle, Chelsea Clark and Camber Carpenter.

OPENING NIGHT REVIEWS - openingnight.online - Edward Kliszus

This … horror comedy delivers campy 1950s thrills in NYC’s Black Box theater scene.

Manhattan Repertory Theatre has struck theatrical gold with Tim Mulligan’s wickedly entertaining “Point Loma,” a gleefully campy horror spoof that channels the best of 1950s B-movie schlock while delivering genuine scares and belly laughs in equal measure. Under Ken Wolf’s spirited direction, this off-Broadway gem transforms the intimate black box space of Chain Theatre into a haunted playground where paranormal podcasters meet their match in a sinister San Diego hospice house.”

“Parker Jenkins brings a perfect blend of vulnerability and determination to Chad, grounding the increasingly absurd proceedings with genuine human emotion. His chemistry with Ian Brady’s exuberant boyfriend Todd provides the production’s emotional anchor, while Brady’s infectious enthusiasm for all things supernatural delivers some of the evening’s biggest laughs.”

“The paranormal investigation team proves equally compelling. Jevon Nicholson’s Rick perfectly captures the self-important bravado of a podcast host, while Michelle Park’s Kim brings depth to what could have been a stereotypical goth medium character. Mathew Hernandez rounds out the trio as Carl, the perpetually terrified cameraman whose reactions to the escalating horror provide consistent comic relief.”

“Jessica Luhmann deserves particular praise as Anna, the day-shift nurse whose wine-fueled breakdown and ultimate heroism steal several scenes. Luhmann navigates the character’s journey from professional competence to frazzled desperation to wine-bottle-wielding savior with impressive range and impeccable comic timing.”

“Wolf’s direction proves particularly ingenious in using the Chain Theatre’s intimate space to create a truly immersive theatrical experience. Rather than confining the action to the traditional stage area, the production transforms the entire venue into a haunted environment. Ghostly figures materialize from behind unsuspecting audience members, creating genuine jolts of surprise that ripple through the theater.”

POINT LOMA by Tim Mulligan

The Reviews are in!

Theaterscene. org - Darryl Reilly

“Disembodied opening and slamming kitchen drawers, pictures flying off walls and ominous, blood red messages scrawled on household objects such as a toaster, all figure in playwright Tim Mulligan’s uproarious, contemporary paranormal mystery comedy, Point Loma. Laughs and thrills are plentiful. Mr. Mulligan’s exquisite command of dramatic writing, director Ken Wolf’s dazzling physical staging and the exuberant performances, all make this an exhilarating and purely entertaining experience.”

“With Orson Welles-style auteurist brio, Mr. Wolf forcefully brings Mulligan’s vision to the stage. There are gorgeous tableaus, stunning stage pictures and precise placement of the actors, who periodically make striking entrances and exits through the venue’s rear area and the auditorium, and its front floor. Then there are the recurring, hooded cast members in swirling white robes depicting mischief making apparitions.”

Thinking Theatre NYC - John R. Ziegler and Leah Richards

“As the play opens, the walls and furniture of the set are draped in white sheets, a haunted house where mediumistic Kim (Michelle Park) and camera/soundman Carl (Mathew Hernandez) from the podcast Ghosting are about to experience more than they bargained for, while Rick (Jevon Nicholson), the third member of the Ghosting team, hosts from back in the studio. When the lights come up again following the scares of the dimly lit, red-tinged opening scene, the set has been denuded of its coverings, transforming it into the bright white kitchen of a house belonging to an older man named Hank (Dave Silberger), whose Art Deco home boasts a historic designation from the city of San Diego. Hank has been in a coma for months–the production smartly uses the raised landing in front of the first row of audience seats as his upstairs bedroom, along with other locations–and while assertively cheerful VA nurse Anna (Jessica Luhmann) has been sticking it out on the day shift as Hank's home health aide, turnover on the night shift has been very frequent, as Anna informs new night nurse Chad (Parker Jenkins). It doesn't take long to see why, as loud noises of unknown origin quickly give way to further spectral phenomena. And then there's that door to the cellar.”

Jevon Nicholson, Michelle Park, Ian Brady, Parker Jenkins and Mathew Hernandez

FEARS MAGAZINE

“Ken Wolf's masterful direction shines in POINT LOMA, showcasing a magical interplay between the cast and stage effects. The ensemble scenes, rich with movement, sound effects, and engaging actions, embody the classic poetry of a staged comedy. The actors swiftly establish their characters, captivating the audience and holding their focus throughout the energetic 90-minute performance. The cast is excellent, delivering a compelling, relentless and memorable evening.”

Jevon Nicholson, Michelle Park and Mathew Hernadez

Theaterscene .net - Scotty Bennett

“Point Loma by Tim Mulligan is a play about the paranormal events set in a historic house in the Point Loma area of San Diego. The house was used as a hospice associated with a nearby naval base. The story was inspired by Mulligan’s personal experiences with paranormal events in the home of a friend in the same area. Ken Wolf, artistic director and co-founder of Manhattan Repertory Theatre, skillfully directs an able and enthusiastic cast in their delivery of a story of things that go bump in the night. It’s an entertaining evening of theater for people who enjoy the thrill of a scary story."

Parker Jenkins and Jessica Luhmann

Jessica Taghap - OffOffonline. com

Ken Wolf’s direction and production design join seamlessly with Mulligan’s writing to build a world that immerses the audience...

Hi Drama on Saturday at 1:30 pm on Spectrum TV CH 56, RCN Ch. 83 and Fios Ch.3

LESLIE DILEO

“The show is skillfully and creatively directed by Ken Wolf. He makes excellent use of the theater space and its stadium seating center aisle so that the audience feels immersed in the podcast and surrounded by ghosts who travel up and down the aisle. I absolutely love the premise of this show, and the actors perform with gusto: Parker Jenkins as night nurse Chad is likable and earnest; Ian Brady is quippy and snappy as Chad's paranormal-obsessed boyfriend; Jessica Luhmann's day nurse Anna is cheerfully unhinged by her haunted assignment; Matthew Hernandez's Carl anchors the ghost hunting duo with equal parts nerdy excitement and sheer terror. Jevon Nicholson's Carl is the most naturally performed character. Michelle Park as Kim stands out as the ghost hunter and medium whose desire to find the truth is almost surpassed by her recent trauma. Dave Silberger as Hank, the comatose patient, is not just a pretty face.

Point Loma is serious and silly in equal parts. It's well-produced and entertaining. If you are in the mood for something lively, and the subject of ghostly happenings interest you, I recommend Point LOMA.”

Mathew Hernandez and Michelle Park

 

“Yesterday is gone.

Tomorrow has not yet come.

We have only today.

Let us begin."

- Mother Teresa -